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"The true painter strives to paint what can only be seen through his world." ~André Malraux



After a year of intermittant "painter's block"  I am working again in my studio, and feeling in a tentative positive state. Painting is a solitary activity, and as artists, we are often working in a vacuum. Unless we have a show hanging, reaction to the work is minimal. With several pieces underway, I decided that perhaps if I write about what I am doing or am attempting to do, it might act somewhat as a muse for me as well as give me some feedback on the work I am creating -- hence the establishment of this blog. 

As for the blog title, traditional, representational painting is a language for expressing what’s visible. But I feel my work is the most successful, and most interesting, when focused on things not entirely visible. I paint what I see but also what I sense and feel by utilizing my interior and unseen world --- in other words, the invisible world. Plein air work or  studio work from photographs are only touchstones or landmarks which guide me to other inner spaces. By so doing, I find that I am pushing the boundaries between representational and abstract work.

You can enlarge the images in this blog by clicking on them.


Mar 19, 2013

We Went to a Hanging

We went to a hanging on Monday before the snow flew.  Actually John was the hangman, minus black hood, wielding tape measure and ruler. I supervised, but he is the measurer, and mathematician. The hangees were my 21 paintings now on display at Dartmouth Mary Hitchcock Rubin Gallery. It took several hours, because hanging on those track and slide systems, while nice because no tools are required, necessitate a lot of measuring and adjusting. Given the weather -- big snowstorm was on the horizon which is in full swing as I compose this --  people walking by were very receptive to the golden forsythias of spring, and the lush blues of the summer seascapes. Except one old man who walked by with his wife and grumbled "Too much yellow. Grump grump."           

I tried  to get photos of all the work going into the show 
before it was hung. Here are a few which I have not yet put into a blog, which show the results of a long journey towards somewhat abstracted impressionism, or whatever you want to call it. (I dislike labels.) 

Below are  the two largest of the forsythia series. I posted 
the second one sometime in the spring, but it was a bad photo. These are not bad, but the skies are not so turquoise at all, and the real paintings overall are lighter, brighter.


"Trranscendant Joy" Oil on board 24" x 35"
"Springtime's Yellow Telegram"   Oil on canvas   36" x 36"


I was after a very loose and free look, using the forsythia fronds simply as a mechanism to hold the dabbed, layered, scraped, glazed and sprayed paint. I would like to take myself to another level, and learn to do encaustic work with the oils. A future challenge.  

 Among the many seascapes are these little ones.

"California Coastline"         oil on canvas   12" x 12'"


"Striped Sea, No. 2"     oil on clayboard   12" x 12"

These two paintings are clear evidence of the direction in which I am going with my work. I will be working on a number of these in the next months to take to the Nantucket Gallery.

This is the rather cumbersome click and slide hanging system:
            The clear plastic hanging rods slide along the top rail and sliding hooks are     attached to it from which to hang the paintings.                                                                                                                                        
Meanwhile, I was very happy to get the show hung. It has been a long haul, and quite honestly,I was not sure I would be able to get enough new work created in time. But I did. We celebrated with a late lunch at Molly's in Hanover, and then I came home to work on the piles of laundry I have not done over the past few weeks (because I have had no time to do it due to painting and Skidmore 50th Reunion book writing and organizing)  --- lots of sheets and towels from visiting family,the dog sitter and us, and about 3 loads of personal laundry. Also washed the dog-dingied white duck couch slipcover and cushion covers and got that back on. Next chores: a general uncluttering of the house which I have ignored lately, and a real clean up in my studio!

But first--- to enjoy the beautiful late snowfall we are having today. About 10 or 11 inches so far, with it still falling. Sadly, no grandchildren will be able to be here this weekend to play in it, or ski. They were here a few weeks ago and had a great time outside. We miss them all.

Aidan, 12, on board




Eloise, 9 1/2, on marshmallow
Cousins Lily, just 8, and Nate, just 7, at the firepit
Lily on board, first time!
Grampa on A Bloody Mary
Nate on belly
Bob on board, second time ever
Mike on tube


 

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